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Jonathan González (they/them) is an artist meditating at the intersections of performance, text, sculpture, and other time-based media from Queens, New York. González’s work speculates on the political utility of the “stage” as a method to interface with publics upon systems of liveness, objects, and economies of being that construct the built environment and interconnectedness. Their recent projects/collaborations include: 02020 (Performance Space New York), ZERO (Danspace Project), N**GGA F*GG*TS, & WHAT I REALLY MEAN WHEN I SAY “I’M ABOUT TO BURN THIS F**KING BITCH DOWN. (region(es) mag), Not Total (homeschool PDX, Yale Union x Paragon Arts Gallery), Working on Water in collaboration with Mario Gooden (Columbia School of Architecture), h/S: Jonathan González (CICCIO), Maroonage: Elaborations on the Stage and Staying Alive (Contact Quarterly), Lucifer Landing I & II (MoMA PS1 x Abrons Arts Center), black MoMA (Museum of Modern Art). Their curations include Sunday Service @ Knockdown Center and Movement Research Fall Festival: invisible material. Previously an LMCC Workspace Resident, NARS Foundation AIR, Jerome Foundation Fellow, Mertz Gilmore Grantee, Art Matters Fellow, and Performance Art/Theater Foundation for Contemporary Arts Grantee.